Steve A. Wiggins

Prophets, mothers, messiahs. A new religion for a new world. While these may not be main themes of Robert Repino’s new novel D’Arc, they’re clearly there in the background offering verisimilitude to a world turned upside down. Continuing the diegesis created in his previous two novels Mort(e) and Culdesac, Repino again shows an uncommon awareness that when survival becomes difficult people (and animals) turn to religion. Many fiction writers create worlds under stress and pretend that characters simply forget the religious option. That may be realistic on an individual level, but as history shows, not on a societal one. People—and mutated animals—are meaning-seeking beings. D’Arc doesn’t shy away from this fact. In a wildly integrated world of different species coping with consciousness and opposable thumbs in various ways, religion naturally arises.

If you haven’t been initiated into Repino’s universe, it begins with a virus and/or a plot—themselves religious—which…

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