Steve A. Wiggins

A convention in histories of the horror genre is to trace it to Gothic fiction.  Gothic fiction itself is traced to The Castle of Otranto, by Horace Walpole.  Having grown up reading Gothic stories along with religious texts, perhaps surprisingly I never came upon Walpole’s oeuvre.  Some weeks back I happened on a used bookstore, which, by convention, had its cheapest fare on sidewalk carts.  I was surprised to see a negligibly priced copy of The Castle of Otranto, which I took in to the counter.  The clerk looked puzzled a moment, then asked if it was from the carts.  “Oh,” he sniffed, “that explains it.  We don’t carry Dover editions; they’re too cheap.”  Perhaps that remark haunted me a bit, but I finally got around to reading the slim book and it left a kind of unanticipated horror in…

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